1955 出生于湖北英山
1978 毕业于湖北艺术学院美术系油画专业
1989 进修于中央工艺美术学院染织系，学习服装设计
现居苏州，当代女艺术家。曾任教于苏州大学艺术学院，中国美术家协会会员，国家一级美术师
1955 Born in Yingshan, Hubei province
1978 Graduated from hubei University of Arts, Oil painting department
1989 Studied fashion design in the department of dyeing and weaving of central Academy of Arts and Crafts
Currently lives in Suzhou, contemporary female artist. Once taught in School of Arts, Soochow University, member of Chinese Artists Association, national first-class artist
此时彼时
“周欣，谢谢你。彼得·布鲁克《金色的鱼》蛮长的。收藏了，慢慢看。初略，布鲁克的文章极具哲学思维，一遍还看不懂。”
“老师啊，这个布鲁克是一位大导演，近十年前看过他在上海的一部戏，后来了解到这个人的历史地位，还买过他的书，戏剧界评价很高，您慢慢读。”
“噢！了解。一开始我并不喜欢他的文章，它难以消化。但在反复阅读后，才体会到了布鲁克作品的深刻。其中，在《金色的鱼》里，他把渔夫和织网做到了信息维度上拓展，太有洞见了。”
文章中，“渔夫在织网的时候，从他手指的每一个动作上都能看出小心谨慎并具目的性。他拉线、他打结，他为渔网空间封口，他所采用的方式完全符合功能的需要。接下来，他就把渔网扔进水里，朝前拖，朝后拉，有时顺着潮水，有时逆着潮水，拉出各种各样复杂的轨迹。抓住一条鱼，一条不能吃的鱼，或者是一条可以拿来煨汤的普通的鱼，也可能是一条有很多颜色的鱼，或者是一条罕见的鱼，一条有毒的鱼，再或者，在福星高照的那一刻，他网到的是一条金色的鱼。”
“周欣，我在布鲁克鱼的故事中，获得了解读他作品的喜悦与满满的能量。又及，文章同时也阐述了对艺术作品‘有趣’的界定。他一下子打开了我在绘画作品时那种对于美好的体验。‘肌肉人’系列，始于二零一四年。前后八年，如果不是有趣，那又是什么呢？”
Now and then
“Zhou Xin, thank you. Peter Brooke’s”The Golden Fish “is quite long. Collect it and read it slowly. At first glance, Brooke’s article is very philosophical and can’t understand it again.””Teacher, this Brooke is a great director. I saw one of his plays in Shanghai nearly ten years ago. Later, I learned about this man’s historical status and bought his book. The theater industry has a high evaluation. Please take your time.””Oh! I understand. At first, I didn’t like his article, which was difficult to digest. But it was only after repeated reading that the depth of Brooker’s work became apparent. Among them, in “The Golden Fish,” he takes the fisherman and the weaver of the web and expands the information dimension, which is so insightful.”In the article, “There is care and purpose in every movement of the fisherman’s fingers as he spins the net. He pulls lines and knots, and he seals the space of the net. The way he uses fully meets the needs of the function. Next, he throws the net into the water, pulls it forward, pulls it back, sometimes along the tide, sometimes against the tide, and pulls out various complex tracks. Catch a fish, an inedible fish, or It is an ordinary fish that can be used to simmer soup, or it may be a fish with many colors, or it may be a rare fish, a poisonous fish, or it may be a golden fish that he caught at the moment when the stars were shining. “”Zhou Xin, in Brooke’s fish story, I get the joy and full energy of understanding his works. P.S. The article also elaborates the definition of “interesting” for art works. He opened up my experience of beauty in painting. ‘The Muscles People’ series, which started in 2014. Eight years, if not fun, then what? ?”
《肌肉人》系列，布面油画，二零一四——二零二二年，实验性。
它是一具人体肌肉模型静物体。石膏材质，行走的动态，它有着复杂的结构形式。难怪我第一眼看到，特别另类。模具造型是矛盾的、有趣的、多元的、好看的，也是好玩的。
去年，《肌肉人》它们再次从我的画布里群体复出，好玩死了。它，左边与右边，是不对称的形体表达。靠近左边，如同珊瑚树般的绿色曲线，是细小的血管，它们纵横布满在胸部及下腹的髋部；颈部的主动脉是钴蓝色的，它们在上体与下体之间组成许多Y字符号；明黄色的神经在腋窝的外沿；成串的，不规则的圆点排列着，那是淋巴；右边玫红色的体块，是肌肉，很有力量感；胸大肌上面也布满了像荆棘一样的绿色曲线。
我总是用炭条起稿。经营着构图，最后也把心态一起放进去。于是，白色的细雨露麻的画布上就有了线条。那个背景中的绿色，是不透明的。张婷和梦恬都帮我找到了不同色系的玫红。孙涛说：“肌肉人应该是时尚的。”“身边有年轻人真好！别丢下我，带着我一起走！”
颜料、画框、调色板、画笔、刮刀、画架，情绪，这是一个缓慢的过程。持续地练习它，在持续中体悟。看啊，在那片蔚蓝色的大海深处，仿佛那条《金色的鱼》向我游来。
二零二二年九月三十日于金鸡湖
The Muscles People series, Oil painting on canvas, 2014-22, experimental.
It is a human muscle model static object. Gypsum material, walking dynamic, it has a complex structural form. No wonder when I first saw it, it was so different. Mold modeling is contradictory, interesting, diverse, good-looking, but also fun.
Last year, “The Muscles People” made a group comeback from my canvas again. It was so funny. It, left and right, is an asymmetrical body expression. To the left, in a green curve like a coral tree, are tiny blood vessels that run across the hips of the chest and abdomen; The main arteries in the neck are cobalt blue, and they make up a lot of Y characters between the upper body and the lower body; Bright yellow nerves on the outer edge of the axilla; Clusters of irregular dots, which are lymphatic; The rose-red body on the right is muscle, very powerful; The pectoralis major is also covered with green curves that look like thorns.
I always use carbon bars to write. Managing composition, and finally putting mentality into it. Then, the white drizzle dew hemp on the canvas there are lines. The green in the background is opaque. Zhang Ting and Mengtian both helped me find rose in different colors. Sun Tao said: “Muscle people should be fashionable.” “It’s nice to have young people around! Don’t leave me behind and take me with you!”
Pigments, picture frames, color palettes, brushes, scrapers, easels, emotions, this is a slow process. Practice it continuously, and realize it in the process of persistence. Look, in the deep blue sea, it seems that the Golden Fish is swimming towards me.
At Jinji Lake on September 30, 2022